简爱读后感英文300字(简爱读后感英语150字)

简爱读后感英文

范文一

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我们成为了3360的一员，因为有些人失去了目标，被蒙蔽了双眼，有些人蔑视她，因为她很冷漠，有些人在过去伤害了她。

我们是公正的成员。这与质量有很大的关系。但是，一个真正的人应该提倡好的新东西，并把它放在另一边。

我们是会员，尊重自己的地位和质量。本质上，每个人都是上帝的脚。思想有不同的地位、性质和外观，但所有的人都是平等的。

我们也记得她对生活的追求，她经历了挫折和自信…

当我们意识到这一点时，她给我们的不仅仅是一个让我们满意的宽松或超越的政策，而是一个很大的个人主义的武器。

事实上，她并没有忘记，也没有忘记，也没有忘记。还有一些人认为她很容易陷入困境，所以当我在一月份的时候，她看起来像是一个相当糟糕的时刻，对于她来说，这显然比"提出的不公正的政府"要糟糕得多。但是这位小政府官员说，3360，你认为呢，因为我穷，不出名，平凡，有点，我就没有灵魂吗？你想错了错了！这是日本的质量之源。上帝没有创造财富和财富，但上帝给了她智慧和思考的大脑Herideaofequalityandself .和self-premprusmuchandletusfilempowerinsider body .

在某种程度上，尽管一个人的外表可以让其他人认为他是一个不切实际的迷人的人，但是如果他或她不喜欢这些美丽的外表，比如美丽，不能持久，当其他人认为这是一个错误的时候，这是不可能的，他们会喜欢这个人的。很长一段时间以来，只有一个人的伟大的美德，一个美好的心灵，才能被称为永恒的美好，只有一个充满激情和激情的美好。我觉得无论如何，作为一个真正的同性恋者，我们都不知道自己是否是一个高尚的人，但是作为一个真正的男人，我们不知道自己是否是一个高尚的人，但是两者之间有很大的差异，从这一点上，我们可以知道自己是否是一个普通的人，或者更模糊的人，也就是说，是否是一个美丽的人。

她的组织者认为生活和工作与他们的经历有很大的不同，至少，他们对现实生活有了新的认识

《简爱》读后感英文范文

二

Thenovelisrichinpoetry,symbolismandmetaphor.Itdoesnotfiteasilyintoadefinitepattern,beingneitheranovelof"manners"inthetraditionofAusten,orastraightforwardGothicRomanceinthestyleofMrsRadcliffe.WhatCharlotteBrontedidwastocreateaworkwhichcleverlyblendselementsofthetwostyles,andwhichremainsuniquelyindependentofthematthesametime,sinceitaddressesissueswhichwereatthetimerathercontroversial.

Thenoveliswritteninthefirstperson,andthusmagnifiesthecentralcharacter-thereaderenterstheworldofJaneEyreandistransportedthroughherexperiencesatfirsthand.Thisatoncemakestheworksubjective,especiallysinceweknowthatCharlottesBrontesownlifeandexperiencesweresocloselyinterwovenwiththeheroine's.AswellasthiswelearnonlyattheendofthenovelthattheeventsarebeingrelatedtoustenyearsafterthereconciliationwithRochester-thusthenarrativeisRETROSPECTIVE（lookingback）。CBiscleverinblendingthenarrativesothatattimesJaneseemstobespeakingasanadultwithadulthindsight,whileatothersshesheis"inthemiddle"ofthem,asachildoryoungwoman.Theindecisionwhichisacentralissueinthebook,isheightenedbythisdevice.Weneverknow,asreaders,whethertobeentirelytrustfulofJanesactionsandthoughts,becauseweareneversurewhehersheisspeakingimpulsivelyormaturely.

Thisintensifiesthereadersdilemmaastowhatis"right"and"wrong"inthedramaticrelationshipswhicharepartofJE'slife.Canwebelievewhattheheroinesays,orisshedeceivingherself?Thenovelisprimarilyalovestoryanda"romance"wherewishescometruebutonlyaftertrialsandsuffering.Thesupernaturalhasitsplace,asdodreams,portentsandprophesies.Theheroinebeginspoorandlonelyandendsuprichandloved;theorphanfindsagoodfamilytoreplacethewickedone;allthebasicingredientsofclassicromanticfairytalearepresent.

TheromanticelementispresentintwoformsinJaneEyre;the"family"aspectisdealtwithintheGateshead,LowoodandMoorHouseepisodes,whichinvolvetheexchangingofthewickedReedfamilyforthebenevolentRiversone;andtheLoveromanceisdealtwithintheThornfieldandFerndeanepisodes.Bothaspectsare,ofcourselinkedandinterwoventhroughoutthenovel.

Thereisalsoastrongelementofrealisminthenovel,which,marriedtotheromanticaspect,enhancesthenovel'sstrength.Thesenseofplaceisverystrong;weareabletoexperiencebothexteriorandinteriorsettingswithstartlingclaritythroughoutthestory,inaseriesofvividdeivepassages.Thecentralcharactersarealsorealisticandtheirconfrontationsandsufferingschangetheminabelievableway.

Eventheunlikelyismadeplausible,withauniqueblendofhighdramaandperceptivelowcomedy（theattackonMason,forinstance）

Themorefantasticromanticaspects;thecoincidences;thesecrets;thesupernaturaloccurrences,arebalancedbytherealism,andthisisofcourseamajorstrength.

TheGothicinfluencecannotbeignored,althoughCBhasrefinedthetechniqueconsiderablyfromthe"authentic"Gothicofthe1790's.Intheoriginalgenre,theheroinewouldtypicallybeabductedandthreatenedwithseduction,orworse!.Therewouldbealover-arespectable,well-bredyoungman-whowouldendeavortorescuetheheroineandwouldsucceedaftermanytrial.theseducerwouldbeabrigand"KnowthatIadoreCorsairs!"andhewouldlockthegirlupinaremotecastle.

TherewaslittlefreedomformiddleclasswomenduringtheperiodoftheGothicnovel,andthiswasstillthecaseinthetimeofCB.Marriageespeciallywasoftenabargain,wherebyfortunesweresecuredbyusingthefemaleasapawn.Awoman'svaluelargelydependedthereforeonhersexualpurityandshewasguardedandsecuredasaresult.Men,onthecontrary,werepotentandfree;loversandmistresseswerecommon.Ironicallythewomenwhoprovidedtheirservicesweresocialoutcastsasaresult.

InJaneEyreweseeelementsoftheGothicromance,inthatThornfieldHallandRochesteraredescribedverymuchinthebrigand/castlestyleBUTJaneEyreisnotabductedbyR.Onthecontraryshechoosestogothereofherownfreewill.ANDsheisclearinherdeterminationtohaveRochesterasahusband.Neitheristhereagentlemanrescuer;StJohnRiversmaylooklikeaGreekGod,butheisneitherkindnorbenevolent;drivingJanebacktoFerndean,notrescuingherfromit.

ThetrialswhichtheheroissupposedtoundergoinaGothicromanceareinfactundergonebytheheroineinJaneEyre.ThebanditRochesterisonlyskin-deep.Underneaththebroodingexteriorisasensitivesoul,whichaWOMANfrees.InthiswayweseethatCBcreatedratheradaringdeparturefromconventionalfiction,althoughtherearestillmanyaspectsofthenovelwhichremaintruetoVictorianconvention.!